Digital Vision & Key Code Media Present “Bring High End Color Grading to Your Avid Projects From Start to Finish”

Thursday March 18, 2010

To Learn more or Register

Also meet Keith Roush, Senior Colorist and Founder of Roush Media, who has been working with these innovative end-to-end workflows on a variety of exciting projects at their Burbank post production boutique facility.

• How to create & carry color grading decisions from “on set” to “Digital Dailies” and then ready for Avid Media Composer in native MFX/DNXHD format

• New features in Avid Media Composer v4 to help increase productivity and revenue

• How to conform the Avid AAF timeline side of Film Master to the high resolution DNxHD, DPX, R3D, RED Files, ARRI files and other formats while viewing the media directly from the Unity 

• Apply advanced color grading tools to deliver the best possible image for unprecedented development looks

• Apply advanced image restoration tools such as grain, de-grain, scratch and dust removal and optical effects
• How to manage the difficult task of tracking color grading decisions across complex editorial changes
•  Lock picture and deliver directly to tape master, file master for film out or back to Avid for mastering