Whether you shoot on a file-based cameras like RED, Arri & Sony, or film & tape we offer more advanced workflows for finishing & Digital Intermediate (DI) with our Nucoda & DaVinci color grading systems. Our efficient data-centric facility is all about saving time and money without compromising on quality. In fact, we can work on any project in any of our suites or theaters with any system, even the same project in different suites at the push of a button, no time wasted moving or copying media all at no additional cost.
The Red Camera shoots a proprietary RAW image format called REDCODE RAW or a R3D file. As is the case with all tapeless cameras, you should be backing up your camera original files because they are like your negative. Hard drives work, but are not reliable enough for long-term storage, so we recommend LTO tape. […]